It was refreshing to read Hannah Ewen’s exposé, revealing that many musicians from the current UK charts work minimum-wage day jobs. Of course this makes sense, because such jobs can be temporary and can be jacked-in to go on tour. It seems like many bands simply slog it out… work 9-5 for minimum wage, followed by evening & weekend rehearsals, plus endless promotion & pushing. Sounds like a grind!
This weblog was conceived to show one musician’s solution (mine) to exactly this problem: original music doesn’t pay the rent. In an economic climate rife with wage poverty, even those working full time are struggling to make ends meet. What hope is there for those who wants to fit a few days of art into each week?
My solutions in the past 6 years have centred around living in alternative dwellings, to save on rent. Thus I survive working part time and making time for music. And of course, the best way to have a reliable part time job is to be self-employed. Honestly, I don’t know why bankers have so much against it! People are being made redundant all the time, but I’m never going to fire me!
Musicians also talk about “the teaching trap”. This is when you lose sight of wanting to push your own music because teaching is so much easier and more rewarding. As a teacher, you’re generally much more appreciated than you are as a performer, but don’t let it extinguish your lust to be creative!
Hannah’s article points out that rock-star’s fans don’t imagine their heroes working in McDonald’s. Even she, a music journalist, didn’t know that most musicians have day jobs until she researched the article.
It’s often commented that people should make music for the love of it, not the money. But I think that’s flawed logic because that doesn’t mean people shouldn’t be paid. Just think how much more productive each of those musicians would be if they had those 40 extra hours per week to make music instead of working!
I’m glad she wrote the article, as it will help non-musicians understand the situation. Although my extended family are very good to me, some aspects of my life are hard for them to grasp since they’re not musicians. On their terms I’m simply not as successful as other family members my age. Of my 3 cousins, 2 have the same teaching qualification as me and teach full-time. It’s hard for older members of the family to understand why I don’t have a full-time teaching job too. The years I’ve spent teaching on a BTEC and lecturing on a music degree don’t seem to register, maybe because it’s always been part time. I can only imagine that my music career registers with them as “failed”, since they haven’t seen me on TV.
But Hannah’s article also serves to make me aware that just because my original music doesn’t pay my rent, that doesn’t mean my music career is a failure…in fact it’s a success! Three self-released and self-produced records in the past 6 years, regular gigs and a good reputation is a success. Not to mention my work as a producer (goldflowerstudios.com) and teacher. I’m not saying so to blow my own horn, but to encourage anyone out there in the same boat. The impossible task of celebrity rock-stardom is so often held out in-front of us like it’s the bar. It’s as if Adele & Coldplay are the only artists who are considered “successful” and the rest of us haven’t “made it” because we still have day jobs. Rubbish!
If you make music every day, you’re a successful musician! Simple as that.
Pass it on!
Listen to Kimwei’s original acoustic music at reverbnation.com/kimwei ,
watch at youtube.com/kimweidotcom ,
interact at facebook.com/kimweidotcom & @kimwedotcom
everything at kimwei.com